AMBITION FOR LOVE’S SAKE
In 1823 two young men, having agreed as a plan for a holiday to make a
tour through Switzerland, set out from Lucerne one fine morning in the
month of July in a boat pulled by three oarsmen. They started for
Fluelen, intending to stop at every notable spot on the lake of the
Four Cantons. The views which shut in the waters on the way from
Lucerne to Fluelen offer every combination that the most exacting
fancy can demand of mountains and rivers, lakes and rocks, brooks and
pastures, trees and torrents. Here are austere solitudes and charming
headlands, smiling and trimly kept meadows, forests crowning
perpendicular granite cliffs, like plumes, deserted but verdant
reaches opening out, and valleys whose beauty seems the lovelier in
the dreamy distance.
As they passed the pretty hamlet of Gersau, one of the friends looked
for a long time at a wooden house which seemed to have been recently
built, enclosed by a paling, and standing on a promontory, almost
bathed by the waters. As the boat rowed past, a woman’s head was
raised against the background of the room on the upper story of this
house, to admire the effect of the boat on the lake. One of the young
men met the glance thus indifferently given by the unknown fair.
“Let us stop here,” said he to his friend. “We meant to make Lucerne
our headquarters for seeing Switzerland; you will not take it amiss,
Leopold, if I change my mind and stay here to take charge of our
possessions. Then you can go where you please; my journey is ended.
Pull to land, men, and put us out at this village; we will breakfast
here. I will go back to Lucerne to fetch all our luggage, and before
you leave you will know in which house I take a lodging, where you
will find me on your return.”
“Here or at Lucerne,” replied Leopold, “the difference is not so great
that I need hinder you from following your whim.”
These two youths were friends in the truest sense of the word. They
were of the same age; they had learned at the same school; and after
studying the law, they were spending their holiday in the classical
tour in Switzerland. Leopold, by his father’s determination, was
already pledged to a place in a notary’s office in Paris. His spirit
of rectitude, his gentleness, and the coolness of his senses and his
brain, guaranteed him to be a docile pupil. Leopold could see himself
a notary in Paris; his life lay before him like one of the highroads
that cross the plains of France, and he looked along its whole length
with philosophical resignation.
The character of his companion, whom we will call Rodolphe, presented
a strong contrast with Leopold’s, and their antagonism had no doubt
had the result of tightening the bond that united them. Rodolphe was
the natural son of a man of rank, who was carried off by a premature
death before he could make any arrangements for securing the means of
existence to a woman he fondly loved and to Rodolphe. Thus cheated by
a stroke of fate, Rodolphe’s mother had recourse to a heroic measure.
She sold everything she owed to the munificence of her child’s father
for a sum of more than a hundred thousand francs, bought with it a
life annuity for herself at a high rate, and thus acquired an income
of about fifteen thousand francs, resolving to devote the whole of it
to the education of her son, so as to give him all the personal
advantages that might help to make his fortune, while saving, by
strict economy, a small capital to be his when he came of age. It was
bold; it was counting on her own life; but without this boldness the
good mother would certainly have found it impossible to live and to
bring her child up suitably, and he was her only hope, her future, the
spring of all her joys.
Rodolphe, the son of a most charming Parisian woman, and a man of
mark, a nobleman of Brabant, was cursed with extreme sensitiveness.
From his infancy he had in everything shown a most ardent nature. In
him mere desire became a guiding force and the motive power of his
whole being, the stimulus to his imagination, the reason of his
actions. Notwithstanding the pains taken by a clever mother, who was
alarmed when she detected this predisposition, Rodolphe wished for
things as a poet imagines, as a mathematician calculates, as a painter
sketches, as a musician creates melodies. Tender-hearted, like his
mother, he dashed with inconceivable violence and impetus of thought
after the object of his desires; he annihilated time. While dreaming
of the fulfilment of his schemes, he always overlooked the means of
attainment. “When my son has children,” said his other, “he will want
them born grown up.”
This fine frenzy, carefully directed, enabled Rodolphe to achieve his
studies with brilliant results, and to become what the English call an
accomplished gentleman. His mother was then proud of him, though still
fearing a catastrophe if ever a passion should possess a heart at once
so tender and so susceptible, so vehement and so kind. Therefore, the
judicious mother had encouraged the friendship which bound Leopold to
Rodolphe and Rodolphe to Leopold, since she saw in the cold and
faithful young notary, a guardian, a comrade, who might to a certain
extent take her place if by some misfortune she should be lost to her
son. Rodolphe’s mother, still handsome at three-and-forty, had
inspired Leopold with an ardent passion. This circumstance made the
two young men even more intimate.
So Leopold, knowing Rodolphe well, was not surprised to find him
stopping at a village and giving up the projected journey to
Saint-Gothard, on the strength of a single glance at the upper window
of a house. While breakfast was prepared for them at the Swan Inn, the
friends walked round the hamlet and came to the neighborhood of the
pretty new house; here, while gazing about him and talking to the
inhabitants, Rodolphe discovered the residence of some decent folk,
who were willing to take him as a boarder, a very frequent custom in
Switzerland. They offered him a bedroom looking over the lake and the
mountains, and from whence he had a view of one of those immense
sweeping reaches which, in this lake, are the admiration of every
traveler. This house was divided by a roadway and a little creek from
the new house, where Rodolphe had caught sight of the unknown fair
one’s face.
For a hundred francs a month Rodolphe was relieved of all thought for
the necessaries of life. But, in consideration of the outlay the
Stopfer couple expected to make, they bargained for three months’
residence and a month’s payment in advance. Rub a Swiss ever so
little, and you find the usurer. After breakfast, Rodolphe at once
made himself at home by depositing in his room such property as he had
brought with him for the journey to the Saint-Gothard, and he watched
Leopold as he set out, moved by the spirit of routine, to carry out
the excursion for himself and his friend. When Rodolphe, sitting on a
fallen rock on the shore, could no longer see Leopold’s boat, he
turned to examine the new house with stolen glances, hoping to see the
fair unknown. Alas! he went in without its having given a sign of
life. During dinner, in the company of Monsieur and Madame Stopfer,
retired coopers from Neufchatel, he questioned them as to the
neighborhood, and ended by learning all he wanted to know about the
lady, thanks to his hosts’ loquacity; for they were ready to pour out
their budget of gossip without any pressing.
The fair stranger’s name was Fanny Lovelace. This name (pronounced
Loveless) is that of an old English family, but Richardson has given
it to a creation whose fame eclipses all others! Miss Lovelace had
come to settle by the lake for her father’s health, the physicians
having recommended him the air of Lucerne. These two English people
had arrived with no other servant than a little girl of fourteen, a
dumb child, much attached to Miss Fanny, on whom she waited very
intelligently, and had settled, two winters since, with monsieur and
Madame Bergmann, the retired head-gardeners of His Excellency Count
Borromeo of Isola Bella and Isola Madre in the Lago Maggiore. These
Swiss, who were possessed of an income of about a thousand crowns a
year, had let the top story of their house to the Lovelaces for three
years, at a rent of two hundred francs a year. Old Lovelace, a man of
ninety, and much broken, was too poor to allow himself any
gratifications, and very rarely went out; his daughter worked to
maintain him, translating English books, and writing some herself, it
was said. The Lovelaces could not afford to hire boats to row on the
lake, or horses and guides to explore the neighborhood.
Poverty demanding such privation as this excites all the greater
compassion among the Swiss, because it deprives them of a chance of
profit. The cook of the establishment fed the three English boarders
for a hundred francs a month inclusive. In Gersau it was generally
believed, however, that the gardener and his wife, in spite of their
pretensions, used the cook’s name as a screen to net the little
profits of this bargain. The Bergmanns had made beautiful gardens
round their house, and had built a hothouse. The flowers, the fruit,
and the botanical rarities of this spot were what had induced the
young lady to settle on it as she passed through Gersau. Miss Fanny
was said to be nineteen years old; she was the old man’s youngest
child, and the object of his adulation. About two months ago she had
hired a piano from Lucerne, for she seemed to be crazy about music.
“She loves flowers and music, and she is unmarried!” thought Rodolphe;
“what good luck!”
The next day Rodolphe went to ask leave to visit the hothouses and
gardens, which were beginning to be somewhat famous. The permission
was not immediately granted. The retired gardeners asked, strangely
enough, to see Rodolphe’s passport; it was sent to them at once. The
paper was not returned to him till next morning, by the hands of the
cook, who expressed her master’s pleasure in showing him their place.
Rodolphe went to the Bergmanns’, not without a certain trepidation,
known only to persons of strong feelings, who go through as much
passion in a moment as some men experience in a whole lifetime.
After dressing himself carefully to gratify the old gardeners of the
Borromean Islands, whom he regarded as the warders of his treasure, he
went all over the grounds, looking at the house now and again, but
with much caution; the old couple treated him with evident distrust.
But his attention was soon attracted by the little English deaf-mute,
in whom his discernment, though young as yet, enabled him to recognize
a girl of African, or at least of Sicilian, origin. The child had the
golden-brown color of a Havana cigar, eyes of fire, Armenian eyelids
with lashes of very un-British length, hair blacker than black; and
under this almost olive skin, sinews of extraordinary strength and
feverish alertness. She looked at Rodolphe with amazing curiosity and
effrontery, watching his every movement.
“To whom does that little Moresco belong?” he asked worthy Madame
Bergmann.
“To the English,” Monsieur Bergmann replied.
“But she never was born in England!”
“They may have brought her from the Indies,” said Madame Bergmann.
“I have been told that Miss Lovelace is fond of music. I should be
delighted if, during my residence by the lake to which I am condemned
by my doctor’s orders, she would allow me to join her.”
“They receive no one, and will not see anybody,” said the old
gardener.
Rodolphe bit his lips and went away, without having been invited into
the house, or taken into the part of the garden that lay between the
front of the house and the shore of the little promontory. On that
side the house had a balcony above the first floor, made of wood, and
covered by the roof, which projected deeply like the roof of a chalet
on all four sides of the building, in the Swiss fashion. Rodolphe had
loudly praised the elegance of this arrangement, and talked of the
view from that balcony, but all in vain. When he had taken leave of
the Bergmanns it struck him that he was a simpleton, like any man of
spirit and imagination disappointed of the results of a plan which he
had believed would succeed.
In the evening he, of course, went out in a boat on the lake, round
and about the spit of land, to Brunnen and to Schwytz, and came in at
nightfall. From afar he saw the window open and brightly lighted; he
heard the sound of a piano and the tones of an exquisite voice. He
made the boatman stop, and gave himself up to the pleasure of
listening to an Italian air delightfully sung. When the singing
ceased, Rodolphe landed and sent away the boat and rowers. At the cost
of wetting his feet, he went to sit down under the water-worn granite
shelf crowned by a thick hedge of thorny acacia, by the side of which
ran a long lime avenue in the Bergmanns’ garden. By the end of an hour
he heard steps and voices just above him, but the words that reached
his ears were all Italian, and spoken by two women.
He took advantage of the moment when the two speakers were at one end
of the walk to slip noiselessly to the other. After half an hour of
struggling he got to the end of the avenue, and there took up a
position whence, without being seen or heard, he could watch the two
women without being observed by them as they came towards him. What
was Rodolphe’s amazement on recognizing the deaf-mute as one of them;
she was talking to Miss Lovelace in Italian.
It was now eleven o’clock at night. The stillness was so perfect on
the lake and around the dwelling, that the two women must have thought
themselves safe; in all Gersau there could be no eyes open but theirs.
Rodolphe supposed that the girl’s dumbness must be a necessary
deception. From the way in which they both spoke Italian, Rodolphe
suspected that it was the mother tongue of both girls, and concluded
that the name of English also hid some disguise.
“They are Italian refugees,” said he to himself, “outlaws in fear of
the Austrian or Sardinian police. The young lady waits till it is dark
to walk and talk in security.”
He lay down by the side of the hedge, and crawled like a snake to find
a way between two acacia shrubs. At the risk of leaving his coat
behind him, or tearing deep scratches in his back, he got through the
hedge when the so-called Miss Fanny and her pretended deaf-and-dumb
maid were at the other end of the path; then, when they had come
within twenty yards of him without seeing him, for he was in the
shadow of the hedge, and the moon was shining brightly, he suddenly
rose.
“Fear nothing,” said he in French to the Italian girl, “I am not a
spy. You are refugees, I have guessed that. I am a Frenchman whom one
look from you has fixed at Gersau.”
Rodolphe, startled by the acute pain caused by some steel instrument
piercing his side, fell like a log.
“Nel lago con pietra!” said the terrible dumb girl.
“Oh, Gina!” exclaimed the Italian.
“She has missed me,” said Rodolphe, pulling from his wound a stiletto,
which had been turned by one of the false ribs. “But a little higher
up it would have been deep in my heart.—I was wrong, Francesca,” he
went on, remembering the name he had heard little Gina repeat several
times; “I owe her no grudge, do not scold her. The happiness of
speaking to you is well worth the prick of a stiletto. Only show me
the way out; I must get back to the Stopfers’ house. Be easy; I shall
tell nothing.”
Francesca, recovering from her astonishment, helped Rodolphe to rise,
and said a few words to Gina, whose eyes filled with tears. The two
girls made him sit down on a bench and take off his coat, his
waistcoat and cravat. Then Gina opened his shirt and sucked the wound
strongly. Francesca, who had left them, returned with a large piece of
sticking-plaster, which she applied to the wound.
“You can now walk as far as your house,” she said.
Each took an arm, and Rodolphe was conducted to a side gate, of which
the key was in Francesca’s apron pocket.
“Does Gina speak French?” said Rodolphe to Francesca.
“No. But do not excite yourself,” replied Francesca with some
impatience.
“Let me look at you,” said Rodolphe pathetically, “for it may be long
before I am able to come again—-”
He leaned against one of the gate-posts contemplating the beautiful
Italian, who allowed him to gaze at her for a moment under the
sweetest silence and the sweetest night which ever, perhaps, shone on
this lake, the king of Swiss lakes.
Francesca was quite of the Italian type, and such as imagination
supposes or pictures, or, if you will, dreams, that Italian women are.
What first struck Rodolphe was the grace and elegance of a figure
evidently powerful, though so slender as to appear fragile. An amber
paleness overspread her face, betraying sudden interest, but it did
not dim the voluptuous glance of her liquid eyes of velvety blackness.
A pair of hands as beautiful as ever a Greek sculptor added to the
polished arms of a statue grasped Rodolphe’s arm, and their whiteness
gleamed against his black coat. The rash Frenchman could but just
discern the long, oval shape of her face, and a melancholy mouth
showing brilliant teeth between the parted lips, full, fresh, and
brightly red. The exquisite lines of this face guaranteed to Francesca
permanent beauty; but what most struck Rodolphe was the adorable
freedom, the Italian frankness of this woman, wholly absorbed as she
was in her pity for him.
Francesca said a word to Gina, who gave Rodolphe her arm as far as the
Stopfers’ door, and fled like a swallow as soon as she had rung.
“These patriots do not play at killing!” said Rodolphe to himself as
he felt his sufferings when he found himself in his bed. “Nel lago!” Gina would have pitched me into the lake with a stone tied to
my neck.”
Next day he sent to Lucerne for the best surgeon there, and when he
came, enjoined on him absolute secrecy, giving him to understand that
his honor depended on it.
Leopold returned from his excursion on the day when his friend first
got out of bed. Rodolphe made up a story, and begged him to go to
Lucerne to fetch their luggage and letters. Leopold brought back the
most fatal, the most dreadful news: Rodolphe’s mother was dead. While
the two friends were on their way from Bale to Lucerne, the fatal
letter, written by Leopold’s father, had reached Lucerne the day they
left for Fluelen.
In spite of Leopold’s utmost precautions, Rodolphe fell ill of a
nervous fever. As soon as Leopold saw his friend out of danger, he set
out for France with a power of attorney, and Rodolphe could thus
remain at Gersau, the only place in the world where his grief could
grow calmer. The young Frenchman’s position, his despair, the
circumstances which made such a loss worse for him than for any other
man, were known, and secured him the pity and interest of every one in
Gersau. Every morning the pretended dumb girl came to see him and
bring him news of her mistress.
As soon as Rodolphe could go out he went to the Bergmanns’ house, to
thank Miss Fanny Lovelace and her father for the interest they had
taken in his sorrow and his illness. For the first time since he had
lodged with the Bergmanns the old Italian admitted a stranger to his
room, where Rodolphe was received with the cordiality due to his
misfortunes and to his being a Frenchman, which excluded all distrust
of him. Francesca looked so lovely by candle-light that first evening
that she shed a ray of brightness on his grieving heart. Her smiles
flung the roses of hope on his woe. She sang, not indeed gay songs,
but grave and solemn melodies suited to the state of Rodolphe’s heart,
and he observed this touching care.
At about eight o’clock the old man left the young people without any
sign of uneasiness, and went to his room. When Francesca was tired of
singing, she led Rodolphe on to the balcony, whence they perceived the
sublime scenery of the lake, and signed to him to be seated by her on
a rustic wooden bench.
“Am I very indiscreet in asking how old you are, cara Francesca?” said
Rodolphe.
“Nineteen,” said she, “well past.”
“If anything in the world could soothe my sorrow,” he went on, “it
would be the hope of winning you from your father, whatever your
fortune may be. So beautiful as you are, you seem to be richer than a
prince’s daughter. And I tremble as I confess to you the feelings with
which you have inspired me; but they are deep—they are eternal.”
“Zitto!” said Francesca, laying a finger of her right hand on her
lips. “Say no more; I am not free. I have been married these three
years.”
For a few minutes utter silence reigned. When the Italian girl,
alarmed at Rodolphe’s stillness, went close to him, she found that he
had fainted.
“Povero!” she said to herself. “And I thought him cold.”
She fetched him some salts, and revived Rodolphe by making him smell
at them.
“Married!” said Rodolphe, looking at Francesca. And then his tears
flowed freely.
“Child!” said she. “But there is still hope. My husband is—”
“Eighty?” Rodolphe put in.
“No,” said she with a smile, “but sixty-five. He has disguised himself
as much older to mislead the police.”
“Dearest,” said Rodolphe, “a few more shocks of this kind and I shall
die. Only when you have known me twenty years will you understand the
strength and power of my heart, and the nature of its aspirations for
happiness. This plant,” he went on, pointing to the yellow jasmine
which covered the balustrade, “does not climb more eagerly to spread
itself in the sunbeams than I have clung to you for this month past. I
love you with unique passion. That love will be the secret fount of my
life—I may possibly die of it.”
“Oh! Frenchman, Frenchman!” said she, emphasizing her exclamation with
a little incredulous grimace.
“Shall I not be forced to wait, to accept you at the hands of time?”
said he gravely. “But know this: if you are in earnest in what you
have allowed to escape you, I will wait for you faithfully, without
suffering any other attachment to grow up in my heart.”
She looked at him doubtfully.
“None,” said he, “not even a passing fancy. I have my fortune to make;
you must have a splendid one, nature created you a princess——”
At this word Francesca could not repress a faint smile, which gave her
face the most bewildering expression, something subtle, like what the
great Leonardo has so well depicted in the Gioconda. This smile made
Rodolphe pause. “Ah yes!” he went on, “you must suffer much from the
destitution to which exile has brought you. Oh, if you would make me
happy above all men, and consecrate my love, you would treat me as a
friend. Ought I not to be your friend?—My poor mother has left sixty
thousand francs of savings; take half.”
Francesca looked steadily at him. This piercing gaze went to the
bottom of Rodolphe’s soul.
“We want nothing; my work amply supplies our luxuries,” she replied in
a grave voice.
“And can I endure that a Francesca should work?” cried he. “One day
you will return to your country and find all you left there.” Again
the Italian girl looked at Rodolphe. “And you will then repay me what
you may have condescended to borrow,” he added, with an expression
full of delicate feeling.
“Let us drop the subject,” said she, with incomparable dignity of
gesture, expression, and attitude. “Make a splendid fortune, be one of
the remarkable men of your country; that is my desire. Fame is a
drawbridge which may serve to cross a deep gulf. Be ambitious if you
must. I believe you have great and powerful talents, but use them
rather for the happiness of mankind than to deserve me; you will be
all the greater in my eyes.”
In the course of this conversation, which lasted two hours, Rodolphe
discovered that Francesca was an enthusiast for Liberal ideas, and for
that worship of liberty which had led to the three revolutions in
Naples, Piemont, and Spain. On leaving, he was shown to the door by
Gina, the so-called mute. At eleven o’clock no one was astir in the
village, there was no fear of listeners; Rodolphe took Gina into a
corner, and asked her in a low voice and bad Italian, “Who are your
master and mistress, child? Tell me, I will give you this fine new
gold piece.”
“Monsieur,” said the girl, taking the coin, “my master is the famous
bookseller Lamporani of Milan, one of the leaders of the revolution,
and the conspirator of all others whom Austria would most like to have
in the Spielberg.”
“A bookseller’s wife! Ah, so much the better,” thought he; “we are on
an equal footing.—And what is her family?” he added, “for she looks
like a queen.”
“All Italian women do,” replied Gina proudly. “Her father’s name is
Colonna.”
Emboldened by Francesca’s modest rank, Rodolphe had an awning fitted
to his boat and cushions in the stern. When this was done, the lover
came to propose to Francesca to come out on the lake. The Italian
accepted, no doubt to carry out her part of a young English Miss in
the eyes of the villagers, but she brought Gina with her. Francesca
Colonna’s lightest actions betrayed a superior education and the
highest social rank. By the way in which she took her place at the end
of the boat Rodolphe felt himself in some sort cut off from her, and,
in the face of a look of pride worthy of an aristocrat, the
familiarity he had intended fell dead. By a glance Francesca made
herself a princess, with all the prerogatives she might have enjoyed
in the Middle Ages. She seemed to have read the thoughts of this
vassal who was so audacious as to constitute himself her protector.
Already, in the furniture of the room where Francesca had received
him, in her dress, and in the various trifles she made use of,
Rodolphe had detected indications of a superior character and a fine
fortune. All these observations now recurred to his mind; he became
thoughtful after having been trampled on, as it were, by Francesca’s
dignity. Gina, her half-grown-up confidante, also seemed to have a
mocking expression as she gave a covert or a side glance at Rodolphe.
This obvious disagreement between the Italian lady’s rank and her
manners was a fresh puzzle to Rodolphe, who suspected some further
trick like Gina’s assumed dumbness.
“Where would you go, Signora Lamporani?” he asked.
“Towards Lucerne,” replied Francesca in French.
“Good!” said Rodolphe to himself, “she is not startled by hearing me
speak her name; she had, no doubt, foreseen that I should ask Gina—she is so cunning.—What is your quarrel with me?” he went on, going
at last to sit down by her side, and asking her by a gesture to give
him her hand, which she withdrew. “You are cold and ceremonious; what,
in colloquial language, we should call short.”
“It is true,” she replied with a smile. “I am wrong. It is not good
manners; it is vulgar. In French you would call it inartistic. It is
better to be frank than to harbor cold or hostile feelings towards a
friend, and you have already proved yourself my friend. Perhaps I have
gone too far with you. You must take me to be a very ordinary woman.”—Rodolphe made many signs of denial.—”Yes,” said the bookseller’s
wife, going on without noticing this pantomime, which, however, she
plainly saw. “I have detected that, and naturally I have reconsidered
my conduct. Well! I will put an end to everything by a few words of
deep truth. Understand this, Rodolphe: I feel in myself the strength
to stifle a feeling if it were not in harmony with my ideas or
anticipation of what true love is. I could love—as we can love in
Italy, but I know my duty. No intoxication can make me forget it.
Married without my consent to that poor old man, I might take
advantage of the liberty he so generously gives me; but three years of
married life imply acceptance of its laws. Hence the most vehement
passion would never make me utter, even involuntarily, a wish to find
myself free.
“Emilio knows my character. He knows that without my heart, which is
my own, and which I might give away, I should never allow anyone to
take my hand. That is why I have just refused it to you. I desire to
be loved and waited for with fidelity, nobleness, ardor, while all I
can give is infinite tenderness of which the expression may not
overstep the boundary of the heart, the permitted neutral ground. All
this being thoroughly understood—Oh!” she went on with a girlish
gesture, “I will be as coquettish, as gay, as glad, as a child which
knows nothing of the dangers of familiarity.”
This plain and frank declaration was made in a tone, an accent, and
supported by a look which gave it the deepest stamp of truth.
“A Princess Colonna could not have spoken better,” said Rodolphe,
smiling.
“Is that,” she answered with some haughtiness, “a reflection on the
humbleness of my birth? Must your love flaunt a coat-of-arms? At Milan
the noblest names are written over shop-doors: Sforza, Canova,
Visconti, Trivulzio, Ursini; there are Archintos apothecaries; but,
believe me, though I keep a shop, I have the feelings of a duchess.”
“A reflection? Nay, madame, I meant it for praise.”
“By a comparison?” she said archly.
“Ah, once for all,” said he, “not to torture me if my words should ill
express my feelings, understand that my love is perfect; it carries
with it absolute obedience and respect.”
She bowed as a woman satisfied, and said, “Then monsieur accepts the
treaty?”
“Yes,” said he. “I can understand that in a rich and powerful feminine
nature the faculty of loving ought not to be wasted, and that you, out
of delicacy, wished to restrain it. Ah! Francesca, at my age
tenderness requited, and by so sublime, so royally beautiful a
creature as you are—why, it is the fulfilment of all my wishes. To
love you as you desire to be loved—is not that enough to make a young
man guard himself against every evil folly? Is it not to concentrate
all his powers in a noble passion, of which in the future he may be
proud, and which can leave none but lovely memories? If you could but
know with what hues you have clothed the chain of Pilatus, the Rigi,
and this superb lake—”
“I want to know,” said she, with the Italian artlessness which has
always a touch of artfulness.
“Well, this hour will shine on all my life like a diamond on a queen’s
brow.”
Francesca’s only reply was to lay her hand on Rodolphe’s.
“Oh dearest! for ever dearest!—Tell me, have you never loved?”
“Never.”
“And you allow me to love you nobly, looking to heaven for the utmost
fulfilment?” he asked.
She gently bent her head. Two large tears rolled down Rodolphe’s
cheeks.
“Why! what is the matter?” she cried, abandoning her imperial manner.
“I have now no mother whom I can tell of my happiness; she left this
earth without seeing what would have mitigated her agony—”
“What?” said she.
“Her tenderness replaced by an equal tenderness——”
“Povero mio!” exclaimed the Italian, much touched. “Believe me,” she
went on after a pause, “it is a very sweet thing, and to a woman, a
strong element of fidelity to know that she is all in all on earth to
the man she loves; to find him lonely, with no family, with nothing in
his heart but his love—in short, to have him wholly to herself.”
When two lovers thus understand each other, the heart feels delicious
peace, supreme tranquillity. Certainty is the basis for which human
feelings crave, for it is never lacking to religious sentiment; man is
always certain of being fully repaid by God. Love never believes
itself secure but by this resemblance to divine love. And the raptures
of that moment must have been fully felt to be understood; it is
unique in life; it can never return no more, alas! than the emotions
of youth. To believe in a woman, to make her your human religion, the
fount of life, the secret luminary of all your least thoughts!—is not
this a second birth? And a young man mingles with this love a little
of the feeling he had for his mother.
Rodolphe and Francesca for some time remained in perfect silence,
answering each other by sympathetic glances full of thoughts. They
understood each other in the midst of one of the most beautiful scenes
of Nature, whose glories, interpreted by the glory in their hearts,
helped to stamp on their minds the most fugitive details of that
unique hour. There had not been the slightest shade of frivolity in
Francesca’s conduct. It was noble, large, and without any second
thought. This magnanimity struck Rodolphe greatly, for in it he
recognized the difference between the Italian and the Frenchwoman. The
waters, the land, the sky, the woman, all were grandiose and suave,
even their love in the midst of this picture, so vast in its expanse,
so rich in detail, where the sternness of the snowy peaks and their
hard folds standing clearly out against the blue sky, reminded
Rodolphe of the circumstances which limited his happiness; a lovely
country shut in by snows.
This delightful intoxication of soul was destined to be disturbed. A
boat was approaching from Lucerne; Gina, who had been watching it
attentively, gave a joyful start, though faithful to her part as a
mute. The bark came nearer; when at length Francesca could distinguish
the faces on board, she exclaimed, “Tito!” as she perceived a young
man. She stood up, and remained standing at the risk of being drowned.
“Tito! Tito!” cried she, waving her handkerchief.
Tito desired the boatmen to slacken, and the two boats pulled side by
side. The Italian and Tito talked with such extreme rapidity, and in a
dialect unfamiliar to a man who hardly knew even the Italian of books,
that Rodolphe could neither hear nor guess the drift of this
conversation. But Tito’s handsome face, Francesca’s familiarity, and
Gina’s expression of delight, all aggrieved him. And indeed no lover
can help being ill pleased at finding himself neglected for another,
whoever he may be. Tito tossed a little leather bag to Gina, full of
gold no doubt, and a packet of letters to Francesca, who began to read
them, with a farewell wave of the hand to Tito.
“Get quickly back to Gersau,” she said to the boatmen, “I will not let
my poor Emilio pine ten minutes longer than he need.”
“What has happened?” asked Rodolphe, as he saw Francesca finish
reading the last letter.
“La liberta!” she exclaimed, with an artist’s enthusiasm.
“E denaro!” added Gina, like an echo, for she had found her tongue.
“Yes,” said Francesca, “no more poverty! For more than eleven months
have I been working, and I was beginning to be tired of it. I am
certainly not a literary woman.”
“Who is this Tito?” asked Rodolphe.
“The Secretary of State to the financial department of the humble shop
of the Colonnas, in other words, the son of our ragionato. Poor boy!
he could not come by the Saint-Gothard, nor by the Mont-Cenis, nor by
the Simplon; he came by sea, by Marseilles, and had to cross France.
Well, in three weeks we shall be at Geneva, and living at our ease.
Come, Rodolphe,” she added, seeing sadness overspread the Parisian’s
face, “is not the Lake of Geneva quite as good as the Lake of
Lucerne?”
“But allow me to bestow a regret on the Bergmanns’ delightful house,”
said Rodolphe, pointing to the little promontory.
“Come and dine with us to add to your associations, povero mio,”
said she. “This is a great day; we are out of danger. My mother writes
that within a year there will be an amnesty. Oh! la cara patria!”
These three words made Gina weep. “Another winter here,” said she,
“and I should have been dead!”
“Poor little Sicilian kid!” said Francesca, stroking Gina’s head with
an expression and an affection which made Rodolphe long to be so
caressed, even if it were without love.
The boat grounded; Rodolphe sprang on to the sand, offered his hand to
the Italian lady, escorted her to the door of the Bergmanns’ house,
and went to dress and return as soon as possible.
When he joined the librarian and his wife, who were sitting on the
balcony, Rodolphe could scarcely repress an exclamation of surprise at
seeing the prodigious change which the good news had produced in the
old man. He now saw a man of about sixty, extremely well preserved, a
lean Italian, as straight as an I, with hair still black, though thin
and showing a white skull, with bright eyes, a full set of white
teeth, a face like Caesar, and on his diplomatic lips a sardonic
smile, the almost false smile under which a man of good breeding hides
his real feelings.
“Here is my husband under his natural form,” said Francesca gravely.
“He is quite a new acquaintance,” replied Rodolphe, bewildered.
“Quite,” said the librarian; “I have played many a part, and know well
how to make up. Ah! I played one in Paris under the Empire, with
Bourrienne, Madame Murat, Madame d’Abrantis e tutte quanti.
Everything we take the trouble to learn in our youth, even the most
futile, is of use. If my wife had not received a man’s education—an
unheard-of thing in Italy—I should have been obliged to chop wood to
get my living here. Povera Francesca! who would have told me that
she would some day maintain me!”
As he listened to this worthy bookseller, so easy, so affable, so
hale, Rodolphe scented some mystification, and preserved the watchful
silence of a man who has been duped.
“Che avete, signor?” Francesca asked with simplicity. “Does our
happiness sadden you?”
“Your husband is a young man,” he whispered in her ear.
She broke into such a frank, infectious laugh that Rodolphe was still
more puzzled.
“He is but sixty-five, at your service,” said she; “but I can assure
you that even that is something—to be thankful for!”
“I do not like to hear you jest about an affection so sacred as this,
of which you yourself prescribed the conditions.”
“Zitto!” said she, stamping her foot, and looking whether her
husband were listening. “Never disturb the peace of mind of that dear
man, as simple as a child, and with whom I can do what I please. He is
under my protection,” she added. “If you could know with what
generosity he risked his life and fortune because I was a Liberal! for
he does not share my political opinions. Is not that love, Monsieur
Frenchman?—But they are like that in his family. Emilio’s younger
brother was deserted for a handsome youth by the woman he loved. He
thrust his sword through his own heart ten minutes after he had said
to his servant, ‘I could of course kill my rival, but that would
grieve the Diva too deeply.'”
This mixture of dignity and banter, of haughtiness and playfulness,
made Francesca at this moment the most fascinating creature in the
world. The dinner and the evening were full of cheerfulness,
justified, indeed, by the relief of the two refugees, but depressing
to Rodolphe.
“Can she be fickle?” he asked himself as he returned to the Stopfers’
house. “She sympathized in my sorrow, and I cannot take part in her
joy!”
He blamed himself, justifying this girl-wife.
“She has no taint of hypocrisy, and is carried away by impulse,”
thought he, “and I want her to be like a Parisian woman.”
Nguồn: Wikisource English — Albert Savarus/Part 4. Văn bản được nhập và định dạng lại; CC BY-SA 4.0, có thể áp dụng điều khoản bổ sung của tác phẩm.